Fabfilter Total Bundle

The FabFilter Total Bundle includes the latest versions of all FabFilter plugins, such as Fabfilter One, Saturn 2, Simplon, Volcano 3, Twin 3, Timeless 3, Pro-G, Pro-DS, Pro-C 2, Pro-L 2, Pro-R 2, Pro-MB, Pro-Q 3, Micro.
With this bundle, you’re providing yourself in one fell swoop with the best EQ, compressor, limiter, de-esser, gate/expander, multi-band distortion, stereo delay, filter, reverb and synthesiser plugins on the market. Consider this your one and only required stop in taking your studio and overall production value from acceptable to exceptional.

Pro-Q 3

Highest possible sound quality, unrivalled interface workflow

An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best. With FabFilter Pro-Q 3, you get the highest possible sound quality, a very extensive feature set, and a gorgeous, innovative interface with unrivalled ease of use.

Pro-Q 3 offers everything that a demanding engineer could wish for: top-quality linear phase operation in addition to the zero latency and unique Natural Phase modes, smooth dynamic EQ, per-band mid/side processing, full surround support (up to Dolby Atmos 7.1.2), an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.

Features

• Highest possible sound quality
• Up to 24 EQ bands
• Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching, with optional external side chain triggering
• Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency
• Ultra-steep ‘Brickwall’ slope setting for LP and HP filters
• Full surround support (up to Dolby Atmos 7.1.2) with intelligent speaker selection
• External spectrum visualization from any other Pro-Q 3 instance, including collision detection
• Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately
• Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode
• Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum
• Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!
• Different interface sizes and additional Full Screen mode
• Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt
• Universal filter slope support for all filter types, up to 96 dB/oct
• EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal
• Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection
• Auto Gain and Gain Scale
• Optional piano roll display to quantize EQ frequencies to musical notes
• Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
• Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
• Phase Invert option to change polarity
• Large output level meter with peak level readout
• Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session
• GPU-powered graphics acceleration
• Double-click text entry of parameter values
• Supports stereo, mono and surround channel layouts (up to Dolby Atmos 7.1.2)
• Supports common Pro Tools hardware control surfaces
• MIDI Learn with option to control the currently active band
• Undo/redo and A/B comparison
• Smart Parameter Interpolation
• Sample-accurate automation of all parameters
• Extensive help file with interactive help hints

Pro-R2

Give your music some space

Pro-R 2 brings a raft of new next-gen features to what was already a widely respected reverb plug-in, including comprehensive multichannel compatibility, two brand-new reverb algorithms, IR import and replication, ducking and gating functions, analog-style saturation, and much more. It is a huge technological and functional leap forward for the plug-in, and one made without any compromise to the slick workflow and stellar sound quality that Pro-R users already know and love.

Features

• Versatile, user-friendly, and sonically superlative professional reverb with three core algorithms for simulating realistic physical spaces, retro digital hardware, and electromechanical plates
• Unified room model and decay time (Space) knob, facilitating smooth transitions between reverb sizes and styles, from tiny boxes to vast arenas and everything in between
• Innovative Decay Rate EQ for incredibly precise shaping of tail frequencies over time, and six-band Post EQ for output equalization
• NEW! Full immersive audio support up to 9.1.6 Dolby Atmos, with per-band Decay Rate and Post EQ channel routing, and a dedicated panel for balancing individual reverb parameter levels between the front and back of the image
• NEW! ‘Vintage’ reverb algorithm, replicating the sound and character of early digital reverbs
• NEW! ‘Plate’ reverb algorithm, replicating the sound and character of vintage plate reverbs
• NEW! IR import function (WAV and AIFF): algorithmically recreate and manipulate the sounds of favorite impulse responses within Pro-R 2
• NEW! Ducking control for effortless separation of dry and wet signals
• NEW! Thickness control for dialing in program-dependent density and saturation
• NEW! Intelligent Auto Gate
• NEW! Freeze button for endless playback of the captured reverb buffer at the point of activation
• NEW! Full-featured preset browser, with tags, favorites, search and filter functions, and new factory preset library
• NEW! Optional piano scale in the interactive reverb display for ‘musical’ EQ frequency referencing and snapping
• NEW! Output level meters
• IMPROVED! Increased Decay Rate range (25-400%)
• IMPROVED! Mid/Side option added to Post EQ
• IMPROVED! Speakers settings added to Decay Rate and Post EQ for channel selection in immersive channel layouts
• IMPROVED! Predelay knob moved to top section

Pro-MB

Multiband dynamics redefined

Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.

Instead of conventionally splitting the entire spectrum with crossovers, Pro-MB enables you to directly create a new band at the frequency range you want to work on. Think bands, not crossovers!

The interactive multiband display clearly shows that the rest of the spectrum stays untouched. And if desired, you can easily snap bands together to recreate a traditional crossover system.

Features

• Up to six processing bands, freely placed anywhere in the spectrum
• Bands can be easily snapped together to form a traditional crossover system
• Handles any form of dynamics processing, from highly transparent compression, limiting and expansion to pumping upward compression and punchy gating
• Unique Dynamic Phase processing mode featuring zero latency, no static phase changes, and no pre-ringing artifacts
• Excellent Linear Phase processing mode, eliminating audible artifacts when quickly changing crossover frequencies
• Minimum Phase processing mode
• Up to four times linear-phase oversampling
• Fully customizable per band: threshold, range, attack, release, output gain, ratio, variable knee, lookahead (up to 20 ms), variable stereo linking, mid- or side-only processing, external side chain input, triggering on a separate frequency range
• Steepness of each crossover slope can be freely adjusted between 6 dB/oct and 48 dB/oct
• Intelligent, highly program- and frequency-dependent attack and release curves
• Global dry/wet mix from 0% to 200% to easily scale the total effect of the plug-in
• Beautiful Retina interface with unique interactive multiband display, designed for an optimal workflow
• Accurate and smooth real-time frequency analyzer with pre- and post-processing options and ‘freeze’ feature
• High-quality audio processing algorithms with 64-bit internal processing where needed
• Band solo/mute and bypass options
• Precise output metering
• GPU-powered graphics acceleration
• Double-click text entry of parameter values
• Stereo and mono plug-ins available
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Smart Parameter Interpolation
• Sample-accurate automation of all parameters
• Extensive help file with interactive help hints

Pro-L 2

Your music has so much to gain

A true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a professional, feature-packed limiter that is loud and transparent at the same time, equipped with extensive loudness metering? Then FabFilter Pro-L 2 is your weapon of choice!

FabFilter Pro-L 2 features precise true peak level meters and extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A/85 standards. Combined with its unique real-time level display, you have all the information you need to achieve the best possible results.

With highly advanced algorithms, linear-phase oversampling, professional dithering and noise shaping and surround support (up to Dolby Atmos 7.1.2) and intelligent channel linking, FabFilter Pro-L 2 is the complete solution for every mixing and mastering job.

Features

• Great transparent sound combined with maximum loudness
• Eight different limiting algorithms, all with their own character and purpose
• True peak limiting
• Unique real-time level display with peak gain reduction labels and new innovative display modes
• Up to 32x linear-phase oversampling
• Highly accurate output and gain reduction metering, including true peak metering
• Extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards
• Surround support, including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking
• Optional DC offset filter
• External side chain triggering for stem mastering
• Unity Gain option to easily listen to the effect of the current limiting at unity gain level
• Audition Limiting option to listen to the difference between the input and output signal
• Adjustable meter scale, including K-System support
• Low CPU usage
• Separate channel linking for both the transient and release stages
• Advanced dithering with three different noise shaping algorithms
• GPU-powered graphics acceleration
• Double-click text entry of parameter values
• Adapts to stereo, mono, and surround audio formats
• Adjustable look-ahead, attack, and release settings
• Optional Compact interface layout
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Smart Parameter Interpolation
• Extensive help file with interactive help hints

 

Pro-C 2

Professional compression for everyone

FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style

Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there’s more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.

Features

• Eight different compression styles, of which five are new in version 2: Vocal, Mastering, Bus, Punch, and Pumping
• Range setting, which limits the maximum applied gain change
• Gorgeous Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering
• Mix setting, which scales the gain change from 0% to 200%
• Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter
• Full-Screen mode, offering a large level display and side-chain EQ controller
• Program-dependent attack and release curves
• Accurate, large level and gain change meters, with peak and loudness level visualization. The loudness level complies with the Momentary mode of the EBU R128 / ITU-R 1770 standards
• Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero-latency processing
• Retina support on OS X and High DPI support on Windows
• Intelligent Auto Gain
• External side-chain triggering
• Hold (up to 500 ms)
• GPU-powered graphics acceleration
• Custom knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)
• Stereo and mono plug-ins available
• Auto Release
• Optional MIDI triggering
• Super-fast attack times
• Supports common Pro Tools hardware control surfaces
• Up to 4x oversampling
• MIDI Learn
• Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing.
• Undo/redo and A/B comparison
• Audition Triggering option, which enables users to hear which parts of the audio Pro-C 2 are triggering and how much compression is taking place
• Smart Parameter Interpolation
• Multiple interface sizes: Small, Medium, and Large
• Sample-accurate automation of all parameters
• Extensive help file with interactive help hints

Pro-DS

Intelligent and Transparent

Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don’t worry, FabFilter Pro-DS comes to the rescue!

With its highly intelligent ‘Single Vocal’ detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.

When using the ‘Allround’ mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes.

Features

• Highly intelligent ‘Single Vocal’ detection, and classic ‘Allround’ detection
• Real-time de-essing display, clearly showing the affected parts of processed audio
• Adjustable Threshold, Range, and detection HP and LP filtering settings
• Transparent program-dependent compression/limiting
• Wide Band or linear-phase Split Band processing
• Optional look-ahead time up to 15 ms
• Freely adjustable stereo linking
• Optional mid-only or side-only processing
• Up to four times linear-phase oversampling
• Side-chain input meter, making it easy to choose a good Threshold value
• Real-time spectrum analyzer built into the HP/LP filter controller
• GPU-powered graphics acceleration
• High-quality 64-bit internal processing
• Double-click text entry of parameter values
• Large and compact interface sizes
• Stereo and mono plug-ins available
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Smart Parameter Interpolation
• Sample-accurate automation of all parameters
• Extensive help file with interactive help hints

Pro-G

Expand In Style

A good gate/expander is an indispensable tool in any mixing or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, complete control over the side chain and channel linking, excellent metering and great interface design.

Apart from excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo or mid/side processing and in expert mode, external side chain input is available with completely customizable channel linking and routing.

FabFilter Pro-G combines smart input/output level meters with a real-time level display and transfer curve. Everything was specifically designed to give clear feedback on the current gate/expander settings and processing, letting you set them up easily.

Features

• Six meticulously tuned expander/gate algorithms, including upward expansion and ducking
• Program-dependent attack and release curves
• Low CPU usage
• Adjustable range, hold time, and knee settings
• Optional look-ahead time up to 10 ms
• Precise and helpful metering, including a real-time level display
• Expert mode that offers highly customizable side chain options
• Mono, stereo, or mid/side processing
• Up to four times linear-phase oversampling
• Zero-latency operation mode
• MIDI triggering: open the gate/expander with your MIDI keyboard
• External side-chain option
• Separate dry/wet level settings
• Easy to set up for common gating / expansion scenarios with the included factory presets
• GPU-powered graphics acceleration
• Double-click text entry of parameter values
• Stereo and mono plug-ins available
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Smart Parameter Interpolation
• Extensive help file with interactive help hints

Saturn 2

Volcano 3

Erupting with character and vintage quality

Nothing beats a vintage sounding, gritty and creamy cut-off filter. That’s exactly what FabFilter Volcano has been known for since its first release in 2005. Today, Volcano 3 continues to deliver the best in creative filtering with new non-linear filter shapes and a completely redesigned interface that is an absolute delight to work with.

Volcano 3 contains four analog-sounding filters with flexible routing, each offering many filter shapes including non-linear bell and shelf filters. Different filter styles offer saturation and self-oscillation at high peak settings, just like classic, vintage filters.

With all the XLFOs, envelope generators, envelope followers and MIDI sources you will ever need, Volcano 3 offers endless modulation possibilities. Setting up new modulation connections could not be easier: just drag and drop.

Features

• Fully redesigned, highly simplified interface, with an easier workflow, including a new design of modulation sources and floating slot panel
• Added new, vintage-sounding EQ-type filter shapes with the internal drive and non-linearities: bell, low/high shelf, notch and all-pass
• Ultra-flexible filter routing, including per-channel and mid/side modes
• Various interface sizes and full screen mode
• Endless modulation options, with all the 16-step XLFOs, XY controllers, envelope generators, envelope followers and MIDI sources you will ever need
• Introduced Drive setting per filter, adjusting the internal filter saturation, which allows for much more variety in sound and smoothness
• Improved the sound quality of overall feedback, the filters, and internal saturation
• Live modulation visualization for targets and sources
• High Quality option, enabling maximum internal oversampling for the best results
• Level/Pan per filter, which is especially useful when using parallel filter routings
• 6 dB/oct filter slope option
• Stereo and mono plug-ins available
• Undo, redo and A/B switch features
• Carefully designed and curated factory presets, plus support for earlier Volcano presets
• Large interactive filter display with optional piano display
• Interactive MIDI Learn
• Extensive help file with interactive help hints

Twin 3

Vintage Sound, High Quality Effects

FabFilter Twin 3 is equipped with the best possible analog-modeled oscillators, award-winning filters and an extensive effects section. Sound design becomes a true pleasure with the completely redesigned, intuitive interface. Rather use presets? Twin 3 comes with a library of carefully designed, quality sounds that you can use right away.

Vintage Phatness, Out of the Box

Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

Easy Drag-and-Drop Modulation

With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.

FabFilter Goodies

Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

FabFilter One

Amazing Oscillators, Unique Filters

For FabFilter One, FebFilter have put tremendous effort in creating the best cut-off filter ever. Their new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.

The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.

Features

• Aliasing-free high-quality oscillator with triangle, sawtooth, and square wave forms
• Fat and ultra-smooth self-oscillating low-pass filter
• LFO with tempo sync, triangle and square wave forms, and adjustable wave balance
• Fine-tuned EG with additional Hold setting
• Frequency and filter cut-off modulation
• Pulse width modulation
• Filter keyboard tracking
• Velocity sensitivity
• 10-voice polyphony
• White/pink noise generator
• Smooth portamento
• Over 100 presets
• Undo and redo
• MIDI learn
• Smart Parameter Interpolation
• Sample-accurate automation of all parameters
• Parameter value display
• Extensive help file

Simplon

Unique Filters, Easy Display

FabFilter Simplon is a simplified version of FabFilter Volcano 2 with two independent multimode filters providing low-pass, high-pass, and band-pass responses with 12/24/48 dB/octave slopes. The filters can be used in serial or parallel mode.

Originally developed for FabFilter One, Simplon’s filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon’s filters sound raw but never cheap or ‘digital’, even at full resonance.

Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

Micro

The Classic FabFilter Sound

With the introduction of FabFilter One in 2004, we set a new standard for digital filters… and it still stands today. Now you can get that classic FabFilter sound for a Micro price! With a single high-quality filter, FabFilter Micro is the ultimate lightweight filter plug-in.

FabFilter Micro’s single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.

With the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.

Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!

System Requirements

Mac

• macOS 10.12 or higher (Intel or M1 Apple Silicon processor) (64-bit only)
• VST2, VST3, AU, AAX Native, AudioSuite
• AU or VST 2/3 compatible host or Pro Tools

Windows

• Windows 11, 10, 8, 7, or Vista (32 or 64-bit)
• VST2, VST3, AAX Native, AudioSuite
• VST 2/3 compatible host or Pro Tools

Plug-in Formats:

All FabFilter plug-ins are available in VST, VST3, Audio Units, AAX Native and AudioSuite formats.